Pesquisando por: "JAMES GILLRAY" - Fotoarena - Agência de fotojornalismo

00591087 "Napoleon I., 15.8.1769 - 5.5. 1821, French Emperor 2.12.1804 - 22.6.1815, ""Tiddy Doll"", political caricature by James Gillray, 25,2 cm x 35,3 cm, coloured aquatinta, London, 1806,"

00591084 "Napoleon I., 15.8.1769 - 5.5. 1821, French Emperor 2.12.1804 - 22.6.1815, ""Evacuation of Malta"", political caricature by James Gillray, 25,2 cm x 35,3 cm, coloured aquatinta, London, 1803,"

00904032 Jenner, Edward, 17.5.1759 - 26.1.1823, English medic / physician, half length, executing smallpox vaccination developed by him, coloured engraving by James Gillray (1757 - 1815), London, 12.6.1802,

00591085 "Pitt, William the Younger, 28.5.1759 - 23.1.1806, British politician (Tory), prime minister 10.5.1804 - 23.1.1807, political caricature ""Political Dreams, Visions of Peace, Perspective Horrors"", coloured aquatinta by James Gillray, London, 1801,"

00346884 "medicine, disease, gout, ""The Gout"", drawing by James Gillray (1757 - 1815), 14.5.1799,"

00909034 "fashion, 18th century, ""Parasols for 1795"", drawing by James Gillray (1756 - 1815), 15.6.1795,"

00258608 "George IV, 12.8.1762 - 26.6.1830, King of Great Britain 29.1.1820 - 26.6.1830, caricature, ""The Lovers Dream"", copper engraving by James Gillray, 24.1.1795,"

00909032 "fashion, 18th century, ""And Catch the Living Manners As They Rise"", drawing by James Gillray (1756 - 1815), 7.5.1794,"

00067323 "George IV, 12.8.1762 - 26.6.1830, King of Great Britain 29.1.1820 - 26.6.1830, caricature, ""A voluptuary under the horrors of digestion"", copper engraving by James Gillray, 2.7.1792,"

alb3622517 The Plumb-Pudding in Danger;-or-State Epicures Taking un Petit Souper. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: plate: 10 1/4 x 14 1/4 in. (26 x 36.2 cm)sheet: 10 3/8 x 14 7/16 in. (26.4 x 36.6 cm). Publisher: Hannah Humphrey (London). Date: February 26, 1805.Napoleon Bonaparte, declared emperor of France in 1804, and the English statesman William Pitt sit across a dining table, each carving out a piece from a plum pudding in the shape of the world. The diminutive Napoleon, rising from his seat in order to reach the table, hungrily takes Europe while Pitt carves a large slice of ocean, illustrating the respective areas of power in the ongoing war between Britain and France. Museum: Metropolitan Museum of Art, New York, USA.

alb4142021 The Fashionable Mamma, or, The Convenience of Modern Dress. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1796. Dimensions: 346 × 245 mm (image); 349 × 249 mm (plate); 354 × 253 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

alb4144585 Comfort to the Corns. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1800. Dimensions: 262 × 201 mm (image); 260 × 198 mm (plate); 295 × 234 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

alb4146631 The Cow-Pock- or- The Wonderful Effects of the New Innoculation!. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1802. Dimensions: 234 × 338 mm (image); 252 × 347 mm (plate); 270 × 387 mm (sheet). Etching with hand-coloring on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

akg8935346 James Gillray. Presages of the Millenium, 1795. Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper, 29.6 × 35.8 cm. Inv. No. B1981.25.916. New Haven, Yale Center for British Art.

akg8935392 James Gillray. Blood on Thunder Fording the Red Sea, 1788. Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper, 22.8 × 33.6 cm. Inv. No. B1981.25.963. New Haven, Yale Center for British Art.

akg015991 Napoleon I Bonaparte, Emperor of the French, 1769-1821. "The Valley of the Shadow of Death". (Caricature of the encirclement of Napoleon by the European powers). Etching, 14 Sept. 1808, by James Gillray (1757-1815).

akg1948508 Napoleon I Bonaparte; Emperor of the French; 1769 - 1821. "Buonaparte, 48 Hours after Landing". (Cartoon on the proposed invasion of England by Napoleon). Etching, watercoloured, by James Gillray (1757-1815), London, 26.07.1803; 35.8 x 25.4 cm. Inv. no. 1977-92; Kupferstichkabinett, Dresden (Germany). Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.

akg1954943 Rastatter Kongress, 9. Dezember 1797 - 23. April 1799, Rastatter Gesandtenmord, 28. April 1799 (Die franz. Gesandtenwerden bei ihrer Abreise von österr. Husaren überfallen). "The High German method of destroying Vermin at Rat- stadt". (Die hohe deutsche Kunst, das Gesindel in Rastatt zu vernichten). - (Karikatur auf die Friedensverhandlungen zwischen Frankreich, Preußen und Österreich). Radierung, aquarelliert, von James Gillray (1757-1815), London, 22. Mai 1799, 25,8 x 36,3 cm. Inv. Nr. 1988-136. Kupferstichkabinett, Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.

akg165481 Napoleon I Bonaparte, emperor of the French (1804-15); 1769-1821. "The Spanish-Bull-Fight - or the Corsican Matador in Danger". (Cartoon about the English-backed Spanish civil uprising against Napoleon in 1808). Etching, 11 July 1808, by James Gillray (1757-1815).

akg363944 Charles James Fox; British politician (leader of the Whigs); 1749-1806. "Blue & Buff Charity; - or - The Patriarch of Greek Clergy apllying for Relief". (Cartoon). Etching by James Gillray (1757-1815). London (Hannah Humphrey) June 12, 1793.

akg364152 Großbritannien / Regierung Pitt. 1783-1801. - "Market day" (Karikatur auf Regierung und Opposition; u. a. Georg III., William Pitt, Warren Hastings, Henry Dundas, Ch. J.Fox, Edmund Burke, R.B.Sheridan). Radierung von James Gillray (1757-1815), London (Samuel William Fores), 2. Mai 1788; Pl. 31,9 × 44,6 cm.

akg015992 Napoleon I Bonaparte, emperor of the French (1804-15); 1769-1821. "The Spanish-Bull-Fight - or the Corsican Matador in Danger". (Cartoon about the English-backed Spanish civil uprising against Napoleon in 1808). Etching, 11 July 1808, by James Gillray (1757-1815).

akg165272 George Hangar; 1751-1824. "Staggering Bobs, a Tale for Scotchmen," or "Munchausen, driving his Calves to Market". (Caricature of George Hangar). Etching by James Gillray (1757-1815), London, Dec. 1, 1796, 35.2 × 25.2 cm.

akg568050 Richard Grenville, 1st Duke of Buckingham and Chandos; British politician; 1776-1839. "The Fall of Icarus". (Caricature: Richard Grenville and his father as Icarus and Daedalus, King George III as the sun). Etching by James Gillray (1757-1815), London (H. Humphrey) April 20 1807. Pl. 35.5 × 26.1 cm. Private collection. Museum: PRIVATE COLLECTION.

alb3488543 Studies of Four Englishmen, after James Gillray, ca. 181725, Brush and brown ink on calque; mounted on wove paper, sheet: 10 1/2 x 6 3/4 in. (26.7 x 17.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 17981863 Paris).

alb3490406 'More Pigs Than Teats',orthe New Litter of Hungry Grunters, Sucking John-Bull's-Old-Sow to Death, March 5, 1806, Hand-colored etching, sheet (clipped impression, inlaid): 9 5/8 x 13 5/8 in. (24.4 x 34.6 cm), Prints, James Gillray (British, Chelsea 17561815 London).

alb2631197 End of the Irish Invasion or the Destruction of the French Armada, Gillray, James, 1756-1815, engraver, London, engraving 1797, french warships being tossed about during a storm blown up by Pitt, Dundas, Grenville and Windham, whose heads appear from the clouds. Charles Fox is the figurehead on Le Revolutionaire which is floundering with broken mast. The Revolutionary Jolly Boat is being swamped, throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall overboard.

akg160501 Nelson, Horatio, Lord N.; brit. Admiral. Burnham Thorpe (Norfolk) 29.9.1758 - (gefallen) bei Trafalgar 21.10.1805. "The Hero of the Nile". (Nelson nach dem Sieg }ber die franz. Flotte in der Seeschlacht bei Abukir am 1. August 1798). Radierung von James Gillray (1797-1815), London, 1. Dezember 1798.

akg160416 Nelson, Horatio, Lord N.; Brit. Admiral. 1758-1805. "The death of Admiral Lord Nelson in the moment of victory (...) ". (Allegory about Nelson's death in the Battle of Trafalgar on 21st Oct. 1805). Etching by James Gillray (1757-1815), London, 23rd December 1805.

akg363870 History / Revolutionary movements:. Great Britain, 18th century, rally at Copenhagen House, Islington, London, 26.10.1795. "Copenhagen House". (Caricature). Etching by James Gillray (1757-1815), London (Hannah Humphrey), 16.11.1795.

akg568114 Howe, Sir Richard, 1. Earl Howe; brit. Flottenadmiral; 1726-1799. / - "Black-Dick turn'd taylor". (Karikatur: Lord Howe beim Schneidern neuer Uniformen für die Marine). Radierung von James Gillray (1757-1815), London (George Humphrey). 4. Februar 1788. Pl. 23,5 × 22,7 cm. Privatsammlung. Museum: PRIVATE COLLECTION.

akg568109 Howe, Sir Richard, 1st Earl Howe; British Admiral of the Fleet; 1726-1799. "What a cur 'tis". (Caricature of Lord Howe, sitting, and Admiral Sir Roger Curtis, 1746-1816). Etching by James Gillray (1757-1815), London (H. Humphrey) June 9, 1795. Private collection. Museum: PRIVATE COLLECTION.

akg568039 Howe, Sir Richard, 1st Earl Howe; British Admiral of the Fleet; 1726-1799. "A French Hailstorm, - or - Neptune loosing sight of the Brest Fleet". (Caricature of Lord Howe, who is to observe the French fleet in Brest). Etching by James Gillray (1757-1815), London (H. Humphrey) Dec 10, 1793.

akg8937652 James Gillray. Sophia, Honour, and the Chambermaid, 1780. Stipple engraving on moderately thick, slightly textured, beige laid paper, 20.7 × 16.7 cm. Inv. No. B1994.4.967. New Haven, Yale Center for British Art.

akg170192 Fitzherbert, Mary Anne, née Smythes. (annulated marriage with the Prince of Wales, the later King George IV). 1756-1837. "Dido forsaken" (Caricature). Etching by James Gillray (1757-1815); London, 21. May 1787.

akg395168 Great Britain / Portland Government, 2 April - December 1783. "A Block for the Wigs - or, the new State Whirligig (caricature of the coalition ministry with Frederick Lord North, Charles James Fox, Edmund Burke and Admiral Keppel). Etching, coloured, by James Gillray. (1757-1815; London (Humphrey),5 May 1783.

alb2637207 A Cognocenti contemplating ye Beauties of ye Antique, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey, 1801, an elderly Sir William Hamilton inspecting his antiquities, all of which refer to his wife, Lady Emma Hamilton and her lover, Lord Horatio Nelson. In the background hang four pictures on the wall: Cleopatra, a picture of Lady Hamilton with her breasts exposed, holding a gin bottle; Mark Anthony, Lord Nelson with a sea battle in background: an erupting volcano; and a portrait of Hamilton, facing away from the other paintings.

alb2108869 Design for the new gallery of busts and pictures, and so far will I trust thee gentle Kate, Henry 4th, part 1st , Gillray, James, 1756-1815, engraving 1792, interior view of a portrait gallery with busts of Demosthenes and Cicero, both frowning, and between them a bust of Charles J. Fox; hanging on the wall above are two prints showing Catherine II of Russia, in one, titled Justice, she is about to stab a sultan, in the other, Moderation, she is facing a map of Moldavia, Bessarabia, and Wallachia, which she embraces with outspread arms; hanging above the bust of Fox is a crowned circle inscribed Conjugal love. A cure for the Haemerroidical Cholic within which is a rope noose.

alb2108010 Gloria Mundi, or The Devil addressing the sun Pare. Lost, Book IV, Gillray, James, 1756-1815, artist, London, engraving 1782, en sanguine engraving showing Charles James Fox standing on a roulette wheel perched atop a globe showing England and continental Europe, the implication is that his penniless state, indicated by turned-out pockets, is due to gambling he looks over his left shoulder up at a bust of Shelburne who, like the sun, is beaming radiantly. Like Edmund Burke, Fox resigned his position as foreign secretary in protest at the appointment of Shelburne following Rockingham's death.

alb2606727 Gloria Mundi, or The Devil addressing the sun Pare. Lost, Book IV, Gillray, James, 1756-1815, artist, London, engraving 1782, en sanguine engraving showing Charles James Fox standing on a roulette wheel perched atop a globe showing England and continental Europe, the implication is that his penniless state, indicated by turned-out pockets, is due to gambling he looks over his left shoulder up at a bust of Shelburne who, like the sun, is beaming radiantly. Like Edmund Burke, Fox resigned his position as foreign secretary in protest at the appointment of Shelburne following Rockingham's death.

alb2610630 Design for the new gallery of busts and pictures, and so far will I trust thee gentle Kate, Henry 4th, part 1st , Gillray, James, 1756-1815, engraving 1792, interior view of a portrait gallery with busts of Demosthenes and Cicero, both frowning, and between them a bust of Charles J. Fox; hanging on the wall above are two prints showing Catherine II of Russia, in one, titled Justice, she is about to stab a sultan, in the other, Moderation, she is facing a map of Moldavia, Bessarabia, and Wallachia, which she embraces with outspread arms; hanging above the bust of Fox is a crowned circle inscribed Conjugal love. A cure for the Haemerroidical Cholic within which is a rope noose.

alb2111922 A Cognocenti contemplating ye Beauties of ye Antique, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey, 1801, an elderly Sir William Hamilton inspecting his antiquities, all of which refer to his wife, Lady Emma Hamilton and her lover, Lord Horatio Nelson. In the background hang four pictures on the wall: Cleopatra, a picture of Lady Hamilton with her breasts exposed, holding a gin bottle; Mark Anthony, Lord Nelson with a sea battle in background: an erupting volcano; and a portrait of Hamilton, facing away from the other paintings.

alb5083171 Sophia, Honour, and the Chambermaid, James Gillray, 17571815, British, Published by Thomas Macklin, active 17791793, British, 1780, Stipple engraving on moderately thick, slightly textured, beige laid paper, Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm), Plate: 11 5/16 x 8 7/16 inches (28.8 x 21.4 cm), and Image: 8 1/8 x 6 9/16 inches (20.7 x 16.7 cm), bed, bedroom, book, candle, candlestick, dressing table, hats, illustration, lady, literary theme, maid, moon, night, novel, servants, The History of Tom Jones, a Foundling, women.

alb5105266 Le Coup de Maitre, James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1797, Etching, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 10 3/8 x 14 3/16 inches (26.4 x 36 cm) and Image: 10 1/16 x 14 inches (25.5 x 35.5 cm), breeches, caricature, cockade, constitution, dagger, fields, hat, historical subject, humor, legislation, man, parody, pistol, political, politician, ribbon, satire, shooting range, soldier, target, tree, vest.

alb5103352 Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas), James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1791, Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 9 13/16 x 13 3/4 inches (25 x 35 cm) and Image: 8 11/16 x 13 inches (22 x 33 cm), burlesque, caricature, cloaks, cross-dressing, darkness, drama, gesturing, hair, hats, humor, literary theme, Macbeth, Act I, Scene III, Macbeth, play by William Shakespeare, men, meteorology, minions, ministers, moon, ocean, parody, political, politicians, posing, satire, science, storm, witches, women.

alb5105649 A Cognocenti Contemplating ye Beauties of ye Antique, Print made by James Gillray, 17571815, British, after James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1801, Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card, Sheet: 15 3/8 x 10 11/16 inches (39 x 27.2 cm) and Image: 13 x 10 1/16 inches (33 x 25.5 cm), animals, antiques, beauty, boots, broken, cane, caricature, carpet, dishes, drinking glasses, goblet, grotesque, hand, hat, humor, man, mummy, old, paintings, parody, pots, relics, satire, sculptures, spurs, statues, table, thoughtful, vases, Vesuvius.

alb5107532 The Valley of the Shadow of Death, James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1808, Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 10 3/8 x 15 7/16 inches (26.4 x 39.2 cm) and Image: 9 9/16 x 14 7/8 inches (24.3 x 37.8 cm), animals, Bible, birds, caricature, chains, crowns (symbols of sovereignty), death, dogs (animals), donkey, dying, Europe, fear, fire, frogs (animals), hat, hell, historical subject, hourglass, humor, lightning, monsters, moon, parody, path, political, rats, riding, rivers, satire, shadow, signs, skeletons, snakes, soldiers, spear, Styx (river of Hades); 'Stige' (Ripa), swords, valley, war.

alb5103435 The Rake's-Progress at the University - No. 1 - 'Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.', James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1806, Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 9/16 x 13 7/8 inches (24.3 x 35.3 cm) and Image: 8 3/4 x 13 7/8 inches (22.3 x 35.3 cm), academic robes, arcade, arches, bog, breeches, caricature, catching, cravats, doorway, fear, hallways, humor, men, mortar boards, parody, satire, shadows, sneaking, spying, students, tassels, university, watching, youth.

alb5109088 The Rake's-Progress at the University - No. 2 - 'Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread', James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1806, Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 3/4 x 13 7/8 inches (24.7 x 35.3 cm) and Image: 8 7/8 x 13 3/4 inches (22.6 x 35 cm), academic robes, angry, book, breeches, broom, caricature, cravats, doorway, footprints, genre subject, grass, green, humor, men, mortar boards, parody, quadrangle, satire, spying, students, tassels, The Rake's Progress at the University (1806), university, watching, windows, youth.

alb5096223 Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will, Print made by James Gillray, 17571815, British, after Mrs. S Berwin, 1791, Etching with coloring on medium, slightly textured, cream laid paper, Mount: 9 x 15 3/4 inches (22.9 x 40 cm), Sheet: 9 7/8 x 16 inches (25.1 x 40.6 cm), and Plate: 9 3/4 x 15 3/4 inches (24.8 x 40 cm), armor, bag wig, boots, breeches, bridle, caftan, cloak, coats, crown (costume component), hats, helmet, horse (animal), literary theme, men, play, plumes, saddle, sash, shoes, stirrups, stockings, swords, The Taming of the Shrew, play by William Shakespeare, turban, whip, women.

akg1948337 Napoleon I Bonaparte; Emperor of the French, 1769 - 1821. "The Hand-Writing upon the Wall". (Cartoon on the proposed invasion of England by Napoleon). Etching, watercoloured, by James Gillray (1757-1815), London 24.8.1803, 25.3 × 35.6 cm. Inv. No. 1985-263; Kupferstichkabinett, Dresden (Germany). Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.

alb4148603 The Pic-Nic Orchestra. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1802. Dimensions: 250 × 355 mm (image/plate); 292 × 404 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

alb9492833 Progress of the Toilet, The Stays (title on object), Toilet making: threading the corset, No. 1 of a series of three prints depicting the various stages of toilet making anno. 1810. A woman in undergarments stands before her toilet mirror, a bonnet over the hairstyle. The chambermaid is lacing her in the corset. On the dressing table a pin cushion, vials and other toiletries. Against the wall a closed bookcase. On the floor a bowl of water and lampet jug. The print states that the drawing is by an amateur., print maker: James Gillray, (mentioned on object), print maker: anonymous, publisher: John Miller, (mentioned on object), London, 1810, paper, etching, height 307 mm × width 217 mm.

alb9492785 Woman with a wheelbarrow of carrots in front of the shop window of bookseller Robert Faulder in London, Sandwich carrots! dainty sandwich carrots (title on object), A woman wearing a hat and an apron walks behind a wheelbarrow of carrots. Behind her walks John Montagu, Earl of Sandwich. In the background, the shop window of bookseller Robert Faulder on the corner of Little Madox Street and New-Bond Street., print maker: James Gillray, (mentioned on object), publisher: Hannah Humphrey, (mentioned on object), London, Dec-1796, paper, etching, height 358 mm × width 252 mm.

alb5091376 Spy's Taken at Greenwich on Easter Monday, George Moutard Woodward, ca. 17601809, British, Previously attributed to James Gillray, 17571815, British, undated, Pen and ink on thin, slightly textured, cream wove paper, Sheet: 12 7/8 x 15 1/2 inches (32.7 x 39.4 cm), arrested, costume, duke, Easter, feathers, men, spy, women, Greenwich.

alb5101669 A London Street Crier, James Gillray, 17571815, British, undated, Watercolor with pen and brown ink over graphite on medium, slighlty textured, cream wove paper, Sheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm), baby, child, genre subject, street, woman, England, Greater London, London, United Kingdom.

alb5106761 The Rake's-Progress at the University - No. 5 - 'Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence.', James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1806, Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 5/8 x 14 1/16 inches (24.5 x 35.7 cm) and Image: 8 7/8 x 13 7/8 inches (22.5 x 35.3 cm), academic robes, angry, boots, breeches, cane, caricature, chairs, cravats, gaiters, gaze, genre subject, gesturing, humor, meeting, men, mortar boards, parody, pointing, satire, students, tassels, The Rake's Progress at the University (1806), university, wigs, youth.

alb5099114 James Gillray, Charles Turner, 17741857, British, after James Gillray, 17571815, British, 1819, Hand colored mezzotint, and steel engraving on moderately thick, moderately textured, cream, laid paper, mounted on, thick, slighlty textured, cream, wove paper, Mount: 23 9/16 × 17 1/2 inches (59.8 × 44.5 cm), Sheet: 23 × 17 1/4 inches (58.4 × 43.8 cm), Plate: 15 9/16 × 12 inches (39.5 × 30.5 cm), and Image: 10 3/8 × 8 3/4 inches (26.4 × 22.2 cm).

alb5096418 Wha Wants Me?, James Gillray, 17571815, British, 1792, Etching, hand-colored, Sheet: 9 x 7 1/2in. (22.9 x 19.1cm).

alb9467813 Woman reads a horror novel, Tales of Wonder! (title on object), Interior with four women around a table with a candle in the center. One of them is reading the 'Gothic Novel' The Monk, written by Matthew Lewis. The three other women are listening anxiously. On the mantelpiece are figurines of horror figures., print maker: James Gillray, (mentioned on object), after own design by: James Gillray, (mentioned on object), publisher: Hannah Humphrey, (mentioned on object), London, Feb-1802, paper, etching, height 255 mm × width 346 mm.

akg8447777 James Gillray, British caricaturist and printmaker, 13.8.1756 - 1.6.1815. Lady Godina's Rout; or Peeping-Tom Spying out Pope-Joan (card game; 9 of diamonds is called Pope Joan), 1796. Print, etching hand-coluored with watercolour, 26.6 × 37 cm. Inv. No. 2011.187, Cleveland, Museum of Art.

akg8906958 James Gillray. A London Street Crier, undated. Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper, 23.2 × 15.6 cm. Inv. No. B1975.4.327. New Haven, Yale Center for British Art.

alb9350672 Barrenness of the National Convention, 1795, The National Convention in Barrenness of a Constitution (title on object), Hollandia Regenerata (series title), Cartoon showing the Batavian Republic as a seven-headed monster trying to give birth to a constitution. A French doctor stands ready to hasten the delivery with forceps, as does a little devil who pricks the woman between her legs with a trident. On the left, a doctor with a book the cesarean section., print maker: James Gillray (possibly), intermediary draughtsman: David Hess, London, 1795, paper, etching, height 274 mm × width 218 mm.

alb4087903 Progress of the Toilet.-The Stays. Plate 1. The caricatures of Gillray; with historical and political illustrations, biographical anecdotes and notices. pt. I-IX. London, 1818. Source: 745.a.6 opposite page 158. Author: JAMES GILLRAY.

alb4093301 Caricature map of Britain. Britannia. London : H. Humphrey, 1791. Coloured. Source: Maps.C.29.c.5. Language: English. Author: JAMES GILLRAY.

alb4614048 Inglaterra y Francia. Principios del siglo XIX. James Gillray (1756/1757-1815). Estampa. Museo Nacional de Bellas Artes. La Valeta. Malta.

alb5193822 Portrait of James Gillray, Charles Turner, British, 17731857, James Gillray, 1756 1815, Mezzotint and engraving on paper, Within an unadorned oval frame is a bust length portrait of the painter, James Gillray, facing left, his gaze directed toward the observer. He wears a striped stock. Inscription below, and engraver's and publisher's names., England, 1819, Print, Print.

alb4078654 'Advantages of wearing Muslin Dresses ! â dedicated to the serious attention of the Fashionable Ladies of Great Britain'. A large lady, sitting with a man and woman at a tea table, reacts in horror as a hot poker from the fire falls on her dress and sets it on fire. The man sits helplessly while the second woman upsets the table in her alarm. A butler, entering the room, drops a plate of muffins, and a cat scampers away from the fire. A painting of Mt. Vesuvius hangs over the fireplace. The caricatures of Gillray; with historical and political illustrations, biographical anecdotes and notices. pt. I-IX. London, 1818. Source: 745.a.6 facing page 6. Author: JAMES GILLRAY.

akg5307061 Dividing the Spoils of Faro (a card game). A caricature showing a group of people playing cards. London, 1818. From: James Gillray, The caricatures of Gillray; with historical and political illustrations, biographical anecdotes and notices. pt. I-IX. 745. a. 6. London, British Library. Copyright: Additional permissions needed for non-editorial use.

akg5304447 James Gillray. 'Tales of wonder !'. London, 1818. From: The caricatures of Gillray; with historical and political illustrations, biographical anecdotes and notices. 745. a. 6 plate 8. London, British Library. Copyright: Additional permissions needed for non-editorial use.

akg5304449 James Gillray. "Oh listen to the voice of love'. London, 1818. From: The caricatures of Gillray; with historical and political illustrations, biographical anecdotes and notices. 745. a. 6 plate 62. London, British Library. Copyright: Additional permissions needed for non-editorial use.

akg1954966 Pitt, William the Younger, 1759-1806, British politician. "A Sphere, projecting against a Plane". (Caricature of Pitt who was thin and. Mrs Hobart who was fat, symbolizing the moral conflict between aristocratic women insisting on their right to host gambling tables (faro) late at night and the disapproving British public). Etching and watercolour by James Gillray (1757-1815), London, 3rd January 1792, 27.5 x 22.5 cm. Inv. no. 38295; Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.

alb2620514 Lady Godina's rout or Peeping Tom spying out Pope Joan, Gillray, James, 1756-1815, engraver, engraving 1796, a fashionable crowd playing cards at two tables. In the foreground, four people playing the game Pope-Joan. One of the women is wearing a loose fitting semi-transparent dress with her breasts exposed. Behind her, peering down her dress, is a man who is about to cut off a candle due to his distracted state. Rear view of a fat woman dominates the left side of the picture.

alb2623531 High change in Bond Street, ou la Politesse du Grande Monde, Gillray, James, 1756 1815, engraver, London, engraving 1796, fashionably dressed pedestrians on Bond Street. In the foreground, five men crowd a woman and girl off the sidewalk as they leer at them. The women, seen from the back, are oddly dressed. In the background, three ladies, also in exaggerated costumes, walking arm in arm in the roadway.

alb2603830 Philanthropic Consolations, after the loss of the Slave-Bill, Gillray, James, 1756-1815, engraver, 1796 , 1 print : etching, hand-colored, William Wilberforce and Samuel Horsley, Bishop of Rochester, cavort with two black women in a well-furnished room. Wilberforce and a woman, wearing a print dress with her breasts exposed, sit on a couch smoking cheroots. Horsely, in his bishop's robes, embraces a woman sitting on his knee holding a wine glass. A black servant boy brings in a tray of filled glasses.

alb2606005 The hand-writing upon the wall, Gillray, James, 1756 1815, artist, London, 1803, Napoleon, Josephine, French soldiers and women seated at feast with dishes Bank of England, St. James, Tower of London, and Roast Beef of old England. Napoleon looks in horror at hand of Jehovah pointing to words in sky, Mene mene, tekel upharsin.

alb2642574 The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.

akg364426 Jane Maxwell Gordon, Duchess (Alexander) Gordon; 1746-1812. "The Gordon-knot", or the bonnyduchess hunting the Bedfordshire bull". (Cartoon: Jane Gordon tries to capture Francis Russell, Duke of Bedford, for her daughters). Etching by James Gillray (1757-1815). London (H. Humphrey) April 18, 1797.

akg364110 Elizabeth Plunkett, née Gunning. English writer; 1769-1823. "Betty Canning revived (...)". (Cartoon: Elizabeth Gunning at a fortune-teller's). Etching by James Gillray (1757-1815), London (J.M. Fobes) March 25, 1791.

akg364022 Mount Edgcumbe, Emma Gilbert, Countess (George) of Mount Edgcumbe; 1729-1807. "A witch, upon a mount's edge". (Caricature). Etching by James Gillray (1757-1815), London (Hannah Humphrey). 17 October 1791. Pl 27.2 × 18.9 cm.

akg364020 Schwellenberg, Juliana Elizabeth; Employee at the court of Queen Charlotte of Great Britain. "An Angel, gliding on a sun-beam into paradise". (Cartoon). Etching by James Gillray (1757-1815), London (Hannah Humphrey). October 11, 1791.

alb5094066 The Rake's-Progress at the University - No. 4 - 'Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter', James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1806, Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 3/4 x 13 7/8 inches (24.7 x 35.3 cm) and Image: 8 3/4 x 13 11/16 inches (22.3 x 34.8 cm), academic robes, angry, boots, breeches, cane, caricature, cravats, gaiters, genre subject, gesturing, humor, men, mortar boards, parody, pointing, quadrangle, satire, students, tassels, The Rake's Progress at the University (1806), university, youth.

alb2109703 The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.

alb2117599 The hand-writing upon the wall, Gillray, James, 1756 1815, artist, London, 1803, Napoleon, Josephine, French soldiers and women seated at feast with dishes Bank of England, St. James, Tower of London, and Roast Beef of old England. Napoleon looks in horror at hand of Jehovah pointing to words in sky, Mene mene, tekel upharsin.

alb2116235 High change in Bond Street, ou la Politesse du Grande Monde, Gillray, James, 1756 1815, engraver, London, engraving 1796, fashionably dressed pedestrians on Bond Street. In the foreground, five men crowd a woman and girl off the sidewalk as they leer at them. The women, seen from the back, are oddly dressed. In the background, three ladies, also in exaggerated costumes, walking arm in arm in the roadway.

alb2115808 Philanthropic Consolations, after the loss of the Slave-Bill, Gillray, James, 1756-1815, engraver, 1796 , 1 print : etching, hand-colored, William Wilberforce and Samuel Horsley, Bishop of Rochester, cavort with two black women in a well-furnished room. Wilberforce and a woman, wearing a print dress with her breasts exposed, sit on a couch smoking cheroots. Horsely, in his bishop's robes, embraces a woman sitting on his knee holding a wine glass. A black servant boy brings in a tray of filled glasses.

akg363902 Frau / Karikatur. "La Belle Espagnole, - ou - la Doublure de Madame Tallien". Etching by James Gillray (1757-1815). London (Hannah Humphrey), 25 February. 1796.

akg363923 Magie et superstition : divination / Cartes. "Miss, I have a Monstrous Crow to pluck with you!!". Gravure de James Gillray (1757-1815). Londres (Hannah Humphrey), 1er novembre 1794.

akg363992 Frau / Karikatur. "Mrs. Gibbs the Notorious Street-Walker, and extorter". (Jane Gibbs, Straßendirne und Erpresserin). Radierung von James Gillray (1757-1815), London, 23. September 1799. Pl. 26,1 × 20,2 cm.

akg363931 Physiologie / Defäkation. "Going to London, through Epping Forest". (Karikatur). Radierung von James Gillray (1757-1815). London (Hannah Humphrey) 3. August 1802.

akg363821 Frau / Karikatur. "A Lyoness". Radierung von James Gillray (1757-1815), London (Hannah Humphrey), 13. Juli 1801.

akg363878 Handel: Straßenhandel. "Paille d'Avoine - Paille d'Avoine" (Haferstroh - Haferstroh). Radierung von James Gillray (1757-1815); London (Hannah Humphrey) 10. November 1786.

akg364060 Mensch / Lebensalter. "Nature display'd, shewing the Effect of the change of the Seasons on the Ladies Garden". (Karikatur auf die vier Lebensalter der Frau). Radierung von James Gillray (1757-1815), London (Hannah Humphrey). 22. Mai 1797.

akg364657 Woman / Caricature. "A Bouquet of the last Century". Etching and aquatint by James Gillray (1757-1815). London (Hannah Humphrey) 1st February. 1802.

akg364654 Fashion / Ladie's Fashion. "Grace Fashion, and Manners. From the Life". (Caricature). Etching and aquatint, undated, by James Gillray (1757-1815), London, (G.Humphrey).

alb5085514 Presages of the Millenium, James Gillray, 17571815, British, after James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1795, Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 13 x 14 13/16 inches (33 x 37.6 cm) and Image: 11 5/8 x 14 1/8 inches (29.6 x 35.8 cm), Bible, caricature, clouds, crown, death, destruction, faith, famine, fear, fire, fish, galloping, grotesques, hell, herds, historical subject, hoards, horse (animal), humor, killing, legislation, men, meteorology, monsters, nude, parody, peace, pigs, power, riding, satire, science, scrolls, seamen, serpents, souls, storm, sword, swords, testimony, truth, uniforms, wings.

alb5087546 Shakespeare Sacrificed; or, The Offering to Avarice, Print made by James Gillray, 17571815, British, 1789, Etching with coloring on medium, slightly textured, cream wove paper, Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm), Plate: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm), and Image: 18 5/8 x 14 7/8 inches (47.3 x 37.8 cm), A Midsummer Night's Dream, play by William Shakespeare, altar, avarice, babies, bellows, book, boys, brushes, bubble, buckle, burin, buttons, caricature, children, chimneys, cloak, columns, devil, dome, engraver (printmaker), fire, fur, grave, grave digger, Hamlet, play by William Shakespeare, hell, Henry VI, part I by William Shakespeare, Henry VI, part II by William Shakespeare, horn, immortality, King Lear, play by William Shakespeare, literary theme, Macbeth, play by William Shakespeare, moneybags, mother, offering, palette, plays, portfolios, printseller, Royal Academy of Arts, sacrifice, satire, shirts, shoes, shovel, skeleton, smoke, snail, socks, spirits, statue, stockings, The Tempest, play by William Shakespeare, trousers, vanity, wig, wings, City of Westminster, England, London, Somerset House, United Kingdom, Westminster Abbey.

alb5084887 The Death of the Great Wolf, James Gillray, 17571815, British, after James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1795, Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 13 3/8 x 17 7/16 inches (34 x 44.3 cm) and Image: 11 1/4 x 17 1/16 inches (28.6 x 43.3 cm), armies, axes, blood, boats, caricature, death, drinking glass, dying, eyeglasses, fighting, flags, flotilla, food, French, hats, historical, historical subject, History, messengers, natives, navy, ocean, parody, political, satire, scepters, sea, swords, troops, victory, war, wine, wolf.

alb5086523 The Rake's-Progress at the University - No. 3 - 'The Master's Wig the guilty wight appals, who brings his Dog within the College walls.', James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1806, Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 13/16 x 13 7/8 inches (25 x 35.3 cm) and Image: 9 x 13 7/8 inches (22.8 x 35.3 cm), academic robes, angry, breeches, broom, caricature, cravats, dog (animal), doorway, genre subject, gesturing, grass, green, humor, men, mortar boards, parody, pointing, quadrangle, satire, servant, shadows, spying, students, tassels, The Rake's-Progress at the University, university, watching, wigs, youth.

alb4148785 Fine Bracing Weather. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1808. Dimensions: 250 × 200 mm (image); 255 × 205 mm (plate); 282 × 234 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.